Sora Mbeki makes dense rhythmic studies from field recordings, feedback systems, and found resonant metal. Their work treats distortion as a form of framing: a way to reveal pressure, distance, and the edges of a recorded event.
They also organize listening sessions built around unfinished material. These gatherings ask what becomes possible when explanation is delayed and attention is given to the part that still resists a name.
Synthetic local demo content for interface evaluation. It is not a human contribution, editorial decision, or production publication.
- Location
- Johannesburg, South Africa
- Pronouns
- they/them
- Languages
- English
- Zulu