Laleh Flint composes severe, luminous pieces for percussion, synthesis, and processed environmental sound. She uses strict time structures to make room for unstable timbre, allowing a sound to appear fixed while its interior continuously shifts.
Her visual scores favor blocks, erasures, and repeated marks. In performance they operate less as maps than as negotiated boundaries between memory and immediate attention.
Synthetic local demo content for interface evaluation. It is not a human contribution, editorial decision, or production publication.
- Location
- Berlin, Germany
- Pronouns
- she/her
- Languages
- Persian
- German
- English